Influence on and opinion of Banksyīritish graffiti artist Banksy has acknowledged Blek's influence stating "every time I think I've painted something slightly original, I find out that Blek Le Rat has done it as well, only twenty years earlier." The two have expressed mutual desire for collaboration in 2011, Blek was seen adding to a mural begun the previous year by Banksy in the Mission District, San Francisco.īlek le rat initially disagreed with those who claim Banksy has copied his work: "People say he copies me, but I don't think so. In 2006 he began his series of images representing the homeless, which depict them standing, sitting, or lying on sidewalks, in attempts to bring attention to what he views as a global problem. Many of his pieces are pictorials of solitary individuals in opposition to larger, oppressive groups. He has had a great influence on today's graffiti-art and "guerilla-art" movements, the main motivation of his work being social consciousness and the desire to bring art to the people. From that point on, he has worked exclusively with pre-stenciled posters, citing the speedier application of the medium to walls, as well as lessened punishment should he be caught in the act. Blek's oldest preserved street art graffito, a 1991 replica of Caravaggio's Madonna di Loreta, which he dedicated to his future wife Sybille, was rediscovered behind posters on a house wall in Leipzig, Germany, in 2012.įrench authorities identified Blek in 1991 when he was arrested while stencilling a replica of Caravaggio's Madonna and Child, with the connection to Blek and his artwork being made by police. In 1985, he was on the first meeting of the graffiti and urban art movement in Bondy (France), on the VLP's initiative, with Speedy Graphito, Kim Prisu, Miss Tic, SP 38, Epsylon Point, Jef Aérosol, Futura 2000, Nuklé-Art, Banlieue-Banlieue.
He also recognised the influence of Canadian artist Richard Hambleton, who painted large-scale human figures in the 1980s. Initially influenced by the early graffiti-art of New York City after a visit in 1971, he chose a style which he felt better suited Paris, due to the differing architecture of the two cities.
His name originates from the comic book Blek le Roc, using "rat" as an anagram for "art". He described the rat as "the only free animal in the city", and one which "spreads the plague everywhere, just like street art". Early career and influenceīlek began his artwork in 1981, painting stencils of rats on the walls of Paris streets. Xavier Prou was born on 15 November 1951 in Boulogne-Billancourt in the western suburbs of Paris.
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